Yosemite

Not just a great valley, but a shrine to human foresight, the strength of granite, the power of glaciers, the persistence of life, and the tranquility of the High Sierra.

First protected in 1864, Yosemite National Park is best known for its waterfalls, but within its nearly 1,200 square miles, you can find deep valleys, grand meadows, ancient giant sequoias, a vast wilderness area, and much more.

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Under the Mannen Bridge at Fukagawa (Fukagawa Mannenbashi shita) by

Under the Mannen Bridge at Fukagawa (Fukagawa Mannenbashi shita)

Title: Under the Mannen Bridge at Fukagawa (Fukagawa Mannenbashi shita), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)

Artist: Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo))

Period: Edo period (1615–1868)

(1760 – May 10, 1849)

Katsushika Hokusai (葛飾北斎, Katsushika Hokusai? 1760–May 10, 1849) was a Japanese artist, ukiyo-e painter and printmaker of the Edo period. In his time he was Japan's leading expert on Chinese painting. Born in Edo (now Tokyo), Hokusai is best-known as author of the woodblock print series Thirty-six Views of Mount Fuji (c. 1831) which includes the iconic and internationally recognized print, The Great Wave off Kanagawa, created during the 1820s. Hokusai created the "Thirty-Six Views" both as a response to a domestic travel boom and as part of a personal obsession with Mount Fuji. It was this series, specifically The Great Wave print and Fuji in Clear Weather, that secured Hokusai’s fame both within Japan and overseas. As historian Richard Lane concludes, “Indeed, if there is one work that made Hokusai's name, both in Japan and abroad, it must be this monumental print-series...” While Hokusai's work prior to this series is certainly important, it was not until this series that he gained broad recognition and left a lasting impact on the art world. It was The Great Wave print that initially received, and continues to receive, acclaim and popularity in the Western world.